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国際シンポジウム Japanese Cinema: What Is It?

2025年1月13日にオンラインで国際シンポジウムJapanese Cinema: What Is It?を開催いたします。日米の映画研究者、メディア研究者、表象文化研究者、英米文学研究者が一堂に介して、「日本映画」とは何か？　という根源的な問いについて、学際的かつグローバルな観点から議論していきます。基調講演には、英文学者・映画批評家のD. A. ミラーさん、日本映画・文化研究者のリンジー・ネルソンさんをお迎えします。どうぞ奮ってご参加ください。佐藤までメールをいただければ、折り返しZoomのリンクをお知らせいたします。motsato@keio.jp

【プログラム】

Japanese Cinema: What Is It?
13 January 2025 | 10:00 - 17:00 | Online

10:00 – 11:00
Welcome: Motonori Sato
Keynote One: D. A. Miller (University of California, Berkeley)
Wim Wenders’Perfect Days: Japanese Film as Genre

11:00 – 13:00
Panel One
Fareed Ben-Youssef (Texas Tech University)
When Savagery and Civilization Meet at a Ramen Shop: Sensing a Transnational Japan through Junzo Itami’s Transnational Western Tampopo

Ryo Takabe (University of Tokyo)
The “Broken Dreams” of Kiju Yoshida: On the Unfilmed scenarios Lumière des roses and A Pale View of Hills

Kohki Watabe (University of Tsukuba, Malaysia campus)
Kyaramnesia: Rethinking Suture for the Ontology of Anime and Manga Characters

Christophe Thouny (Ritsumeikan University)
Autistic Beings: Camering When Evil Does Not Exist

14:00 – 15:00
Keynote Two: Lindsay Nelson (Meiji University)
The Edge of Cinema: Japanese Horror in a Changing Media Landscape

15:00 – 17:00
Panel Two
Ryohei Tomizuka (Kanagawa University)
The Japanese Melodrama of a Geisha Woman: Tamizo Ishida’s Old Songs (1939)

Mary A. Knighton (Aoyama Gakuin University)
Insect Women in Postwar Japanese Film

Kosuke Fujiki (Okayama University of Science)
A Postcolonial Romance with the Past: Taiwan and Japan’s Mutual Nostalgia in 18×2 Beyond Youthful Days

Motonori Sato (Keio University)
Multiple Temporalities: A Comparative Reading of A City of Sadness and Drive My Car


Organized by A Research on Contemporary Japanese Cinema in the Age of Globalization
(Keio University Academic Development Funds for Individual Research: H03JA24094)
With the Assistance of Keio Research Center for the Liberal Arts

Booking essential: Please email Motonori Sato (motsato@keio.jp) for a zoom link